Histoire naturelle des Perroquets…

£110,000

Paris, Levrault, frères, 1801-1805. 2 volumes. Folio (495 x 312mm). pp. (viii), 135, (1, index); (iv), 112, (1, index), with 145 etched plates printed in colours and nished by hand; a ne copy in contemporary red half morocco, green morocco labels, gilt llets on sides, gilt edges, green silk page markers, binding signed at foot of spines: J.M. Jacobs, relieur à Anvers.

Paris, Levrault, frères, 1801-1805. 2 volumes. Folio (495 x 312mm). pp. (viii), 135, (1, index); (iv), 112, (1, index), with 145 etched plates printed in colours and nished by hand; a ne copy in contemporary red half morocco, green morocco labels, gilt llets on sides, gilt edges, green silk page markers, binding signed at foot of spines: J.M. Jacobs, relieur à Anvers.

First edition, folio issue (there was also a quarto issue and 12 copies printed in extra-large folio format) of the most beautiful illustrations of parrots ever published and one of the nest bird-books of all time. The outstanding plates were etched after the originals of Jacques Barraband, and printed in colour by Langlois, the great master of French colour printing at the beginning of the nineteenth century and the artist responsible for most of Redoutés important publications. After he had made himself Emperor, it was part of Napoleons deliberate policy to initiate a series of magni cent publications that would vie with those undertaken to the orders of Louis XIV. These were sent as presents to crowned heads, men of science, and learned bodies, in evidence of the splendours of the Empire. In this manner many glorious books came into being, and it is in this light that we should see Redoutés Les Liliacées and his two works on the owers of La Malmaison. The works of Levaillant owe their sumptuous character to the same impetus. His Histoire naturelle des perroquets is, unwittingly, a part of the glories of Napoleonic France (Fine Bird Books). The names of three of the birds commemorate the artists involved in the production of the plates, Barraband, who painted them, Bouquet, who engraved the plates, and Langlois, who supervised the printing of them. This copy has the title of volume one in its rst state, with the date An IX (1801). Both Ronsil and Zimmer describe copies with the second state title, dated An XII (1804). Anker 303; Fine Bird Books p 90; Nissen IVB 558; Ronsil 1780; Zimmer 392.

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